If this sampler style is your jam, tell me your secrets to infinite stamina. Otherwise, WCPO Lounge Acts is on your side, beaming three Bunbury acts straight into your living room this weekend. Fog machine and light show not included.
There are big ships and small ships, but the best of all is Frenship! This Los Angeles-based electro-pop duo met selling stretchy ladies’ garments at Lululemon and experimented with their sound before honing in on the ’80s-inspired, high-energy dual vocals that now define them.
James Sunderland and Brett Hite’s single “Capsize” went viral in June 2016, streaming more than 18 million times on Spotify within a month of its release and earning a nod as a contender for Spotify's Song of the Summer.
“Once the song came out and we started playing concerts, we realized how big it had become because the houses were packed and everyone was singing along,” Hite told The Fairfax Times. “We had this big song and we weren’t really prepared for it.”
Even if you’re not into hip-hop, anyone who’s put out 18 albums has to earn your respect. Tech N9ne, aka Aaron Yates, has done just that while also building Strange Music from the ground up into the world’s No. 1 independent rap music label.
"We would have sold out by now for money if that’s what we wanted to do,” Tech N9ne told The Washington Times. "But the object is to make beautiful music for people to have forever. Music that stays — not just becomes a ringtone. Longevity.”
Don't miss WCPO.com reporter Lisa Bernard Kuhn with Tech N9ne in the WCPO Digital Lounge Saturday afternoon. He'll also perform live at 7:45 p.m. Saturday at Bunbury's Nissan Stage near U.S. Bank Arena.
Our Bunbury Lounge Acts extravaganza again digs into Spotify’s viral list with Minnesota-born singer/songwriter Cobi, whose debut solo single “Don’t You Cry For Me” hit No. 1 last June.
With a bluesy sound and inevitable Hozier comparisons, Cobi croons “Please help me chop this tree down/Or hold me from underneath/Words never once cut me down/Oh don’t you cry for me.”
The emotionally charged black-and-white music video concludes with the hanging of a black man after a white policeman gets shot in a scuffle.
“The song was written around the time when Michael Brown was killed, Baltimore was uprising and people around the country were protesting,” Cobi told Huffington Post. “There’s no denying the epidemic of police shooting unarmed black people. I hate seeing my friends living in fear and just had to speak what was in my heart and say what I felt needed to be said.”